![]() ![]() Even though the headphone amps are mighty, with plenty of headroom and low noise, we doubt anyone will be disappointed with the level of sound that can be generated using standard headphones.įollowing that is a built-in talkback microphone with corresponding gain control, which allows a comfortable level to setup for the feed into the two cue headphone outputs, both of which get the identical talkback signal, after which comes the EQ. ![]() However, both outputs are always fed with whatever is currently being auditioned on the monitors - which is arguably the most significant constraint to the unit's flexibility and usefulness in terms of sound and application. Working your way down the front-panel controls, you'll find a pair of quarter-inch headphone output connectors to the left, each with its level control. Still, a fast scan will provide some extra insights, and the configuration modifications are not immediately apparent without first consulting the instructions. It is unnecessary to read the handbook to understand how to use the product. The D-BOX also passes all of your digital signals through the same inbuilt reference-grade digital-to-analog converter, providing you with the same unified monitoring experience that the world's greatest mastering professionals enjoy every day.Įven though it is a 1U rack-mounting device, the D-Box's front panel is neatly organized, with logical control groupings and straightforward legends. It is for this reason that the D-BOX utilizes audiophile-grade components in an utterly transparent design that displays every tiny detail, allowing you to get things perfect the first time. It's impossible to blend something you can't hear. The emergence of "prosumer" gear has generally resulted in the monitoring path being sacrificed to match a price point, resulting in what should be true craftsmanship being guesswork. Hearing exactly what is going on is essential for anything from setting a microphone to tweaking an EQ to counseling a singer through a difficult period in a song. If you cannot discern the subtleties of the project you are working on, you will be unable to make educated decisions. The devil is in the details regarding true craftsmanship. you can use 2-BUS+ or 2-BUS LT to extend your summation path. ![]() With straightforward incorporation of outboard gear.The onboard microphone provides full talkback functionality.Choose between two different sets of monitors.Accepts analog signals from professional (+4dBu) and commercial (-10dBV) sources.2x 20-watt/channel headphone amplifiers with exceptional clarity. ![]() Massive headroom, a large soundstage, and excellent audio imaging are all features of this system.Digital-to-analog conversion of reference-quality.8 channels of analog summing that is not matched.Transparent monitoring courtesy of a Chris Muth design that has been meticulously executed.The D-BOX is equipped with reference-grade D/A conversion, switchable analog inputs between balanced + The D-BOX is equipped with reference-grade D/A conversion, switchable analog inputs between balanced +4dBu and unbalanced -10dBV, two powerful 20w/channel headphone amplifiers, a built-in talkback mic, and a stunning analog summing mixer that will provide your mixes with the headroom and sonic required to achieve truly professional results. The D-BOX is a single-rack-space solution that can handle all of your input source monitoring, speaker switching, cueing, talkback, headphone, and mixing requirements. When purchased separately, the D-Box would normally cost substantially more than the component facilities, but it manages to combine them in a usable fashion that meets the objectives of many home studios who want to maximize the quality of their mixdowns and monitoring. Over and above all of this, there is a separate eight-input summing section with output monitoring capabilities. The D-Box's recording section includes driving two sets of stereo monitors and talkback, and cue headphone feeds for performers. The D-Box's monitoring section includes the ability to drive two sets of stereo monitors, as well as talkback and cue headphone feeds for performers, as well as built-in D/A conversion for one of the two digital sources and an external analog input. In terms of design, it is a straightforward solution that has been tailored to a specific subset of the rather big home studio market. One of their most newest products is a monitor controller and analog summing-bus system that, in essence, combines the major parts of their bespoke Monitor ST and 2Bus LT devices into a single simple package. Is a firm that thrives on giving elegant answers to common studio workflow difficulties, with audio quality consistently at the top of the priority list when developing new products and software solutions. ![]()
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